![]() Johnny said that he stipulated that the band not be photographed from the front, reasoning, "I was very protective of how we looked at that point, and some of us looked worse than others." He added, "I had asked that they put the name of the record company on the backs of the firing squad executing us, and they wouldn't go with that." The back cover shows the band tied and bound before being executed by a firing squad. Johnny Ramone added that the dinosaurs were "what we felt like." Kostabi's painting was in turn modified from a painting by George Geselschap. The album cover of ¡Adios Amigos!, which features two Allosaurus wearing sombreros, is a digitally altered version of a painting by artist Mark Kostabi, named Enasaurs, which features the dinosaurs wearing yellow witch hats. Ramone sings lead vocals on the album tracks "Makin Monsters for My Friends", "The Crusher", "Cretin Family" and "Scattergun", as well as the bonus track "R.A.M.O.N.E.S." Dee Dee Ramone makes his first appearance on a Ramones album since 1989 during the bridge of the closing track " Born to Die in Berlin", singing in German and recorded via telephone. Johnny Ramone stated that ¡Adios Amigos! had "perhaps the best of all the guitar sounds I ever got." Ĭ.J. The Japanese version and Captain Oi reissue of the album feature the bonus track "R.A.M.O.N.E.S.", originally recorded by Motörhead as a tribute to the Ramones on their 1991 album 1916. ![]() The American version of the album features a hidden track, " Spiderman", slightly different from the version the Ramones originally recorded for the Saturday Morning tribute album. ¡Adios Amigos! also contains cover versions of Tom Waits' "I Don't Want to Grow Up" and Johnny Thunders' "I Love You". While bassist and songwriter Dee Dee Ramone had left the band following 1989's Brain Drain, ¡Adios Amigos! features six of his compositions, including three previously released: "The Crusher" was originally recorded for his 1989 debut solo album, Standing in the Spotlight (a rap album released under the name Dee Dee King), while "Making Monsters for My Friends" and "It's Not for Me to Know" were originally recorded for the 1994 album I Hate Freaks Like You, which he performed with I.C.L.C. ![]() But on this one, even the lesser stuff is decent." In his 2012 autobiography, Commando, Johnny Ramone awarded the album a "B+" grade, stating, "Some of our albums would have three or four really strong songs, and then the rest would be pretty weak. Long-time friend Daniel Rey was once again recruited to produce, as he was liked by the entire band and knew how to provide a comfortable, pleasant experience for them in the studio. Relations within the band were strained, due to Joey Ramone's deteriorating health-having been diagnosed with Non-Hodgkin lymphoma-Joey and Johnny Ramone’s decade-long feud and a burgeoning rift between Marky and C.J. The album was recorded at Baby Monster Studios in New York City, and was the band's third album on Radioactive Records after leaving Sire due to lack of significant sales and chart success. ![]() ![]() The Ramones disbanded a year after its release and subsequent tour. It was released on July 18, 1995, through Radioactive Records. ¡Adios Amigos! (in Spanish, "Goodbye Friends") is the fourteenth and final studio album by American punk rock band Ramones. ![]()
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