![]() ![]() I have yet to power them up to full volume, and using them at home, volume setting 2 seems loud enough, without thinking about turning up to eleven! And these speakers just handle it beautifully. I'm driving these from a GR-55 guitar synth currently (soon to be joined by an SY-1000), so the range of tones goes from deep bass to sparkling tops. Little did I expect such a great pair of FRFR Speakers when I plugged them in and connected up. ![]() VTPC: Variable Tissue Paper Control Fc 1.8Khz +6dB, -30dB.I'd done the research, read the reviews and bitten the bullet.Balanced Inputs: Combination XLR & Phone Jack.Peak Musical Output: 110dB (Music Program Material).Cabinet: 10.4 Liter Sealed Design, 18mm MDF With Real Wood Veneer.Components: Low Frequency: AV10-MLF 18Cm Cone, High Frequency: AV10-MHF 3.5Cm Soft Dome.System Frequency Response: 60Hz-20,000Hz (Accessible Musical Range).At low power, THD is a phenomenal 0.005% at rated load it is 0.1%, yielding excellent performance compared to class D amps. The CLA-10A uses a monolithic Class AB amplifier. No more debate over the best tissue paper to use - VTPC has you covered!Īvantone Pro decided to stay traditional with a linear power supply implementing a massive old school toroidal transformer in order to maintain the legacy sound. One of the most common questions asked about the CLA-10A’s is which version of the originals are they based on, and the answer is: all of them! The CLA-10A’s have an all new “VTPC” knob or “Variable Tissue Paper Control.” This VTPC allows you to simulate anything from the Vertical “m” model to the horizontal “Studio” model and everything in between. Available For the First Time in an Active Configuration This allows for tighter matching in every cone we build - meaning this is the first time matched pairs have been available!īoth replacement drivers are physically and dimensionally exactly the same as the originals and are “bolt in” hassle-free installation. The only difference from the original is that we use a pressed cone as opposed to a lapped. We worked closely with one of the original vendors of the original cone to get the exact same stiffness and weight. The AV10-MLF woofer uses custom tooled mechanical parts that mirror the original. The AV10-MHF tweeter dome went through a difficult engineering process to get the exact phenolic resin doping to match the original performance curve. The “White Cone” has returned - with lots of power! Using our global resources and decade of experience in driver construction, we have reproduced the components faithfully, updating the materials to comply with modern environmental requirements. Avantone Pro has created a near exact recreation of the original drivers. Since the “white cone” studio monitor was discontinued, the supply of aftermarket components have become more and more expensive and less and less available. ![]() The Original Drivers for the Original Sound It’s not known as the world’s best - it’s known for being the world’s best reference - the sound that creates hits. A tremendous amount of design work and exacting detail have finally made the “white cone” monitors available to everyone! And now the world has finally gotten what it always asked for - an active-powered version: the CLA-10A! Black box. Now everyone can mix on the monitors that define “the hitmaker sound”. Description Avantone CLA-10A Active Studio The Iconic Studio Monitor System is back.Īvantone Pro, in conjunction with the expertise of legendary mixer Chris Lorde Alge, have designed the most faithful reproduction of the world’s most iconic studio monitor. ![]()
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